BOX OFFICE PROFIT FORECAST

2008 Year-to-date accuracy, plus Weekly
Motion Picture Profit & Loss Tracking

To eliminate suspicion and validate this forecast accuracy, ALL forecasts are verified and archived by an independent tracking firm.
All archives are also available for verification and inspection.

(CLICK ON EITHER CHART BELOW FOR A POP-UP WINDOW WITH FULL SCREEN RESOLUTION)

CFI website map for 2011

1.1 FUTURE FILM Forecasts	2.1 Introduction to CFI	3.1 Unseen Components	4.1 Archetype vs. Stereo	5.1 Screenplay Consulting	6.1 Old Studio System	7.1 CFI CONTACT INFO
1.2 LAST WEEKEND Forecast	2.2 Twenty-One Questions	3.2 Simple Components	4.2 Modern Archetypes	5.2 Assist Flow Chart	6.2 Studio System Assists	7.2 Similar Companies
1.3 2011 Profit & Loss Chart	2.3 Beta-Testing Complete	3.3 Complex Components	4.3 Good/Bad Guys ID Keys	5.3 Production Benefits	6.3 Agent & Mgr. Benefits	7.3 Actor Archetype Lists
1.4 2010 Profit & Loss Chart	2.4 Products & Services	3.4 Resolution Components	4.4 Line by Line Paradigm	5.4 Database Tracking	6.4 Improvements 4 Talent	7.4 Bibliography for Study
1.5 2009 Profit & Loss Chart	2.5 Application & Benefit	3.5 Horrific Components	4.5 Face Mapping Tools	5.5 Client Confidential	6.5 Attending to Imagery	7.5 URLs to Continue Study
1.6 2008 Profit & Loss Chart	2.6 Comparing Methodology	3.6 The Two Behaviors	4.6 The Classic Archetypes	5.6 Forecast Fallibility	6.6 The Best Attributes	7.6 ROIs for 1999 - 2000
1.7 2007 Profit & Loss Chart	2.7 Client Applications	3.7 Audience Psychology	4.7 Casting Examples	5.7 How the Others Fail	6.7 Talent Research	7.7 ROIs for 2001 - 2002
1.8 2006 Profit & Loss Chart	2.8 Four Screen Dynamics	3.8 Suspending Disbelief	4.8 Writers and Archetype	5.8 Weekend Mentality	6.8 Star Power Ratings	7.8 ROIs for 2003 - 2004
1.9 2005 Profit & Loss Chart	2.9 Playability Errors	3.9 Four Media Approach	4.9 Subtypes & Essences	5.9 Neuromarketing News	6.9 Star Client Results	7.9 ROIs for 2005 - 2006
1.10 2004 - 2002 P & L Chart	2.10 Quadrant Solutions	3.10 Reading Their Faces	4.10 Act As vs. Act Like	5.10 Neuromarket Article	6.10 Secret Sex Chemistry	7.10 ROIs for 2007 - 2008
1.11 2001 - 1999 P & L Chart	2.11 Forecasting Accuracy	3.11 Observing Audiences	4.11 Jung Archetypal Map	5.11 Film Neuromarketing	6.11 Archetype Inventory	7.11 ROIs for 2009 - 2010
1.12 CFI CONTACT INFO	2.12 Edge on Competition	3.12 Observing Emotions	4.12 The MBDI vs. MBTI	5.12 Older Methodologies	6.12 Sub-Type Inventory	7.12 Senior Analyst Bio

CFI - Cinematic Forecasting and Investment Assurance LLC ™

Investor Opportunities in Motion Picture Profits through Feature Film Box-Office Forecasts / Pre-Production Script Development / Cinematic Archetype Casting / Component Formulation Design / U.S. and Global Market Consulting & Mass Audience Forecasting

1.1 future film forecasts

1.2 last weekend forecast

1.3 - 2011 profits & loss

1.4 - 2010 profits & loss

1.5 - 2009 profits & loss

1.6 - 2008 profits & loss

1.7 - 2007 profits & loss

1.8 - 2006 profits & loss

1.9 - 2005 profits & loss

1.10 - 2004-2002 charts

1.11 - 2001-1999 charts

1.12 CFI CONTACT INFO

2.1 intro to CFI

2.2 twenty-one questions

2.3 beta-testing complete

2.4 products & services

2.5 application & benefit

2.6 comparing methodology

2.7 client applications

2.8 four screen dynamics

2.9 playability errors

2.10 quadrant solutions

2.11 forecasting accuracy

2.12 edge on competition

3.1 film components

3.2 simple components

3.3 complex components

3.4 resolution components

3.5 horrific components

3.6 the two behaviorisms

3.7 audience psychology

3.8 suspending disbeliefs

3.9 four media approach

3.10 reading their faces

3.11 observing audiences

3.12 observing emotions

4.1 archetype vs. stereo

4.2 modern archetypes

4.3 good/bad guys ID key

4.4 line by line paradigm

4.5 face mapping tools

4.6 the classic archetype

4.7 casting examples

4.8 writers and archetype

4.9 subtypes & essences

4.10 act as VS. act like

4.11 Jung archetypal map

4.12 the MBDI vs. MBTI

5.1 script consulting

5.2 assist flow chart

5.3 production benefits

5.4 database tracking

5.5 client confidential

5.6 forecast fallibility

5.7 how the others fail

5.8 weekend mentality

5.9 neuromarketing news

5.10 neuromarket article

5.11 film neuromarketing

5.12 older methodologies

6.1 old studio systems

6.2 studio system assists

6.3 agent & mgr. benefits

6.4 improvements 4 talent

6.5 attending to imagery

6.6 the best attributes

6.7 talent research

6.8 star power ratings

6.9 star client results

6.10 secret sex chemistry

6.11 archetype inventory

6.12 sub-type inventory

7.1 CFI contact info

7.2 similar companies

7.3 actor archetype lists

7.4 bibliography to study

7.5 urls continued study

7.6 ROIs for 1999 & 2000