CFI - Cinematic Forecasting and Investment Assurance LLC ™

Investor Opportunities in Motion Picture Profits through Feature Film Box-Office Forecasts / Pre-Production Script Development / Cinematic Archetype Casting / Component Formulation Design / U.S. and Global Market Consulting & Mass Audience Forecasting

1.1 future film forecasts

1.2 last weekend forecast

1.3 - 2011 profits & loss

1.4 - 2010 profits & loss

1.5 - 2009 profits & loss

1.6 - 2008 profits & loss

1.7 - 2007 profits & loss

1.8 - 2006 profits & loss

1.9 - 2005 profits & loss

1.10 - 2004-2002 charts

1.11 - 2001-1999 charts

1.12 CFI CONTACT INFO

2.1 intro to CFI

2.2 twenty-one questions

2.3 beta-testing complete

2.4 products & services

2.5 application & benefit

2.6 comparing methodology

2.7 client applications

2.8 four screen dynamics

2.9 playability errors

2.10 quadrant solutions

2.11 forecasting accuracy

2.12 edge on competition

3.1 film components

3.2 simple components

3.3 complex components

3.4 resolution components

3.5 horrific components

3.6 the two behaviorisms

3.7 audience psychology

3.8 suspending disbeliefs

3.9 four media approach

3.10 reading their faces

3.11 observing audiences

3.12 observing emotions

4.1 archetype vs. stereo

4.2 modern archetypes

4.3 good/bad guys ID key

4.4 line by line paradigm

4.5 face mapping tools

4.6 the classic archetype

4.7 casting examples

4.8 writers and archetype

4.9 subtypes & essences

4.10 act as VS. act like

4.11 Jung archetypal map

4.12 the MBDI vs. MBTI

5.1 script consulting

5.2 assist flow chart

5.3 production benefits

5.4 database tracking

5.5 client confidential

5.6 forecast fallibility

5.7 how the others fail

5.8 weekend mentality

5.9 neuromarketing news

5.10 neuromarket article

5.11 film neuromarketing

5.12 older methodologies

6.1 old studio systems

6.2 studio system assists

6.3 agent & mgr. benefits

6.4 improvements 4 talent

6.5 attending to imagery

6.6 the best attributes

6.7 talent research

6.8 star power ratings

6.9 star client results

6.10 secret sex chemistry

6.11 archetype inventory

6.12 sub-type inventory

7.1 CFI contact info

7.2 similar companies

7.3 actor archetype lists

7.4 bibliography to study

7.5 urls continued study

7.6 ROIs for 1999 & 2000

7.7 ROIs for 2001 & 2002

7.8 ROIs for 2003 & 2004

7.9 ROIs for 2005 & 2006

7.10 ROIs for 2007 & 2008

7.11 ROIs for 2009 - 2010

7.12 ROIs for 2011 - 2012

page 2.11

Forecasting Accuracy and Assured Risk Aversion
with a new technology from CFI


The MPI™ and CFI Screen Dynamics™ are the latest pre-production technologies for quickly maximizing the profitability of feature film production, while eliminating professional risks in development, casting, and distribution.

These CFI™ techniques save production companies millions of dollars while increasing studio and entertainment agency revenues by millions more.

Cinematic Forecasting and Investment Assurance LLC are production consultants specializing in motion picture development, production, and marketing through unique new risk aversion and structural component formulation technologies.

We specialize in the 
structural component and element formulations used to improve motion picture product life cycles. We enhance product consistency and increase audience reliability in all motion pictures. Our exclusive pre-production techniques dramatically increase commercial viability while lowering costs and eliminating commercial disasters.



CFI™ can guarantee the elimination of nearly every single box-office failure.


CFI™ techniques expand film company or agency revenues by literally hundreds of millions of dollars. Through twenty-five years of in-depth research and eight years of intensive industry testing, CFI has formulated a system of predicting the audience response profitabilities and perfecting the market potential of every feature-length project.

At the core of our unique development is a comparative database with a new biometric software imagery technology called the CFI Motion Picture Index™. It evaluates motion picture product in pre-production and scores the film for audience attractiveness, resonance, acceptability, and credibility.

Feature films that pre-arranged their cinematic components SCORED MORE THAN ZERO PERCENTAGE POINTS in the Motion Picture Index™ made a profit for producers at the U.S. box office. Films that scored under zero percentage points before their wide-release LOST millions of dollars.

We guide producers, directors, and distributors toward commercially successful, award-winning screen productions while achieving mass audience gratification. Film production companies incorporating our exclusive methodologies eliminate star-powered misfires and eradicate cinematic catastrophes.

At CFI™, our mission is to improve the productivity and profitability of film entertainment. Our goal is to assist film producers and distributors in cinematic risk aversion technologies for reducing financial liabilities, increasing gross earnings, exalting commercial credibility, increasing company market shares, and insuring future viability.

Our dynamic new technology reduces production costs, decreases production time, and greatly enriches product quality. CFI™ film formulation technology also prevents losses from mismatched sexual chemistries, misplaced star archetypes, and misguided film componentry defects in casting and marketing.


LESS than 25% of all mass-marketed films made a profit from the domestic box office. Cinematic Forecasting and Investment Assurance LLC can tell you EXACTLY why they made more money -- and exactly why the others did not.


Cinematic Forecasting and Investment Assurance LLC incorporates audience response psychologies and production formulations tailored for ingratiating consumers to production design and increasing audience appreciation of component complexities while magnifying the director’s creative credibility. We discovered exciting new casting secrets that have eliminated career disasters and prevented talent-driven box-office failures. The concrete formulation tools CFI Screen Dynamics™ has privately secured are tangible and intrinsic ingredients for true screen charisma and big screen magic.

These effective applications were discovered through confidential scientific advancements in biometric facial typography and cinematic archetype cognition, which included facial scanning technologies in combination with interactive screen analysis techniques in motion picture audience-response psychologies.

CFI programs specifically identify exactly what it is screen audiences subconsciously visualize and internally conceptualize for validating their social commentaries. That affects publicity and that affects your financial bottom line. With pyschometric technology, we program visceral visual impressions in the audience and graphically amplify their emotional response to audio and visual stimuli. The result is extensive word-of-mouth advertising and multiple ticket sales.

No other risk aversion or product development program is more exacting or more complete.



This technology was never available until now


The inherent subjectivity of product selection and marketing in motion pictures created a vacuum for an objective, decision-making formulation technique. “Best guess” and gut-feeling probabilities are substantially inadequate for green-lighting projects, but there isn't much else one can do.  Pre-production audience surveys by phone bank groups are still woefully ineffective at predicting profitability.  And post-production audience research screenings can’t fix a problem that has been previously ingrained.
 

It was a scientific challenge to isolate a pattern recognition technology capable of comparable analysis for qualifying and quantifying any product. In all product successes, there are mathematical patterns which repeat themselves in formulating that success. Through the appropriate comparative analysis, CFI™ found those hidden patterns and can continuously recreate them in any motion picture product and guarantee domestic success.


The trick is observation.
To see what secretly exists, you first must find a way to correctly observe it.
 

What CFI™ discovered was an intrinsic pattern of structural component, character, storyline, and musical formulations that create instinctive audio and visual associations with the audience.  These are patterns of filmatic componentry and cinematic elements which (when carefully orchestrated in pre-production) create intriguing and charismatic productions with profitable relationships and satisfied buyers.


CFI™ also discovered how 
competent and objective marketing data combined with biometric technology and archetype classification could translate into the exact formulas and recipes for true screen charisma and film career prosperity. This data exposed the dynamic imaging patterns that dictate the unique attractions that occur between the audio/visual talent and their audiences. (It is a fascinating interactive construct of Jungian and mythological archetypology with audience-response psychology in physiological, sociological, and biometric methodologies that remained hidden inside the entertainment business for years.) 


CFI™ consults with studios, producers, directors, writers, representatives, casting directors, and other entertainment developers for creating accurate screen imaging and enhancing formulations in need of development or upgrading.

The work is vastly increasing player productivity, career profitability, and product life-cycle credibility through the development of archetypal talent imagery and production formulation.  It exalts production in storytelling elements and scene componentry. It exclusively magnifies one player over another to increase profitability.  We accomplish this work through the latest forms of confidential audience response processing and talent charisma technology.


 
                           
CFI website map for 2011

1.1 FUTURE FILM Forecasts
2.1 Introduction to CFI
3.1 Unseen Components
4.1 Archetype vs. Stereo
5.1 Screenplay Consulting
6.1 Old Studio System
7.1 CFI CONTACT INFO
1.2 LAST WEEKEND Forecast
2.2 Twenty-One Questions
3.2 Simple Components
4.2 Modern Archetypes
5.2 Assist Flow Chart
6.2 Studio System Assists
7.2 Similar Companies
1.3 2011 Profit & Loss Chart
2.3 Beta-Testing Complete
3.3 Complex Components
4.3 Good/Bad Guys ID Keys
5.3 Production Benefits
6.3 Agent & Mgr. Benefits
7.3 Actor Archetype Lists
1.4 2010 Profit & Loss Chart
2.4 Products & Services
3.4 Resolution Components
4.4 Line by Line Paradigm
5.4 Database Tracking
6.4 Improvements 4 Talent
7.4 Bibliography for Study 
1.5 2009 Profit & Loss Chart
2.5 Application & Benefit
3.5 Horrific Components
4.5 Face Mapping Tools
5.5 Client Confidential
6.5 Attending to Imagery
7.5 URLs to Continue Study
1.6 2008 Profit & Loss Chart
2.6 Comparing Methodology
3.6 The Two Behaviors
4.6 The Classic Archetypes
5.6 Forecast Fallibility
6.6 The Best Attributes
7.6 ROIs for 1999 - 2000
1.7 2007 Profit & Loss Chart
2.7 Client Applications
3.7 Audience Psychology
4.7 Casting Examples
5.7 How the Others Fail
6.7 Talent Research
7.7 ROIs for 2001 - 2002
1.8 2006 Profit & Loss Chart
2.8 Four Screen Dynamics
3.8 Suspending Disbelief
4.8 Writers and Archetype
5.8 Weekend Mentality
6.8 Star Power Ratings
7.8 ROIs for 2003 - 2004
1.9 2005 Profit & Loss Chart
2.9 Playability Errors
3.9 Four Media Approach
4.9 Subtypes & Essences
5.9 Neuromarketing News
6.9 Star Client Results
7.9 ROIs for 2005 - 2006
1.10 2004 - 2002 P & L Chart
2.10 Quadrant Solutions
3.10 Reading Their Faces
4.10 Act As vs. Act Like
5.10 Neuromarket Article
6.10 Secret Sex Chemistry
7.10 ROIs for 2007 - 2008
1.11 2001 - 1999 P & L Chart
2.11 Forecasting Accuracy
3.11 Observing Audiences
4.11 Jung Archetypal Map
5.11 Film Neuromarketing
6.11 Archetype Inventory
7.11 ROIs for 2009 - 2010
1.12 CFI CONTACT INFO
2.12 Edge on Competition
3.12 Observing Emotions
4.12 The MBDI vs. MBTI
5.12 Older Methodologies
6.12 Sub-Type Inventory
7.12 Senior Analyst Bio