CFI - Cinematic Forecasting and Investment Assurance LLC ™

Investor Opportunities in Motion Picture Profits through Feature Film Box-Office Forecasts / Pre-Production Script Development / Cinematic Archetype Casting / Component Formulation Design / U.S. and Global Market Consulting & Mass Audience Forecasting

1.1 future film forecasts

1.2 last weekend forecast

1.3 - 2011 profits & loss

1.4 - 2010 profits & loss

1.5 - 2009 profits & loss

1.6 - 2008 profits & loss

1.7 - 2007 profits & loss

1.8 - 2006 profits & loss

1.9 - 2005 profits & loss

1.10 - 2004-2002 charts

1.11 - 2001-1999 charts

1.12 CFI CONTACT INFO

2.1 intro to CFI

2.2 twenty-one questions

2.3 beta-testing complete

2.4 products & services

2.5 application & benefit

2.6 comparing methodology

2.7 client applications

2.8 four screen dynamics

2.9 playability errors

2.10 quadrant solutions

2.11 forecasting accuracy

2.12 edge on competition

3.1 film components

3.2 simple components

3.3 complex components

3.4 resolution components

3.5 horrific components

3.6 the two behaviorisms

3.7 audience psychology

3.8 suspending disbeliefs

3.9 four media approach

3.10 reading their faces

3.11 observing audiences

3.12 observing emotions

4.1 archetype vs. stereo

4.2 modern archetypes

4.3 good/bad guys ID key

4.4 line by line paradigm

4.5 face mapping tools

4.6 the classic archetype

4.7 casting examples

4.8 writers and archetype

4.9 subtypes & essences

4.10 act as VS. act like

4.11 Jung archetypal map

4.12 the MBDI vs. MBTI

5.1 script consulting

5.2 assist flow chart

5.3 production benefits

5.4 database tracking

5.5 client confidential

5.6 forecast fallibility

5.7 how the others fail

5.8 weekend mentality

5.9 neuromarketing news

5.10 neuromarket article

5.11 film neuromarketing

5.12 older methodologies

6.1 old studio systems

6.2 studio system assists

6.3 agent & mgr. benefits

6.4 improvements 4 talent

6.5 attending to imagery

6.6 the best attributes

6.7 talent research

6.8 star power ratings

6.9 star client results

6.10 secret sex chemistry

6.11 archetype inventory

6.12 sub-type inventory

7.1 CFI contact info

7.2 similar companies

7.3 actor archetype lists

7.4 bibliography to study

7.5 urls continued study

7.6 ROIs for 1999 & 2000

7.7 ROIs for 2001 & 2002

7.8 ROIs for 2003 & 2004

7.9 ROIs for 2005 & 2006

7.10 ROIs for 2007 & 2008

7.11 ROIs for 2009 - 2010

7.12 ROIs for 2011 - 2012

page 2.5


CFI Screen Dynamic™ Applications
in the Motion Picture Industry

 

Producing feature films void of formulation and component errors dramatically increases your quality and profitability. Presenting feature films with charismatic talent and cohesive storytelling increases your credibility, popularity, and prestige.  To do it consistently requires a level of technology and accuracy so specific it can only be found with insider assistance.

Below are the various levels of insider assistance available from Cinematic Forecasting and Investment Assurance LLC. Our clients select from these services to fulfill their personal requirements during development and/or production of their motion picture projects. The qualities of these seventeen production benefits are described in order below the flow chart.


MOTION PICTURE PRODUCER or DIRECTOR BENEFITS DURING PRE-PRODUCTION

1. STORYLINE ARCHETYPE EVALUATION
Examination of a treatment, script or coverage and storylines to identify the correct cinematic archetype of principal characters and supporting players.

2. NEGATIVE COMPONENT IDENTIFICATION AND RECONSTRUCTION
Identification and isolation of negative cinematic components or storyline formulations hidden inside the production and suggestions for correcting them.

3. POSITIVE COMPONENT IDENTIFICATION AND ACQUISITION
Identification of overlooked or missing positive cinematic components and suggestions for inclusion of additional component formulations or possible archetypal improvements.

4. PRE-PRODUCTION SCENE SURVEY ANALYSIS
Evaluation of film scene possibilities derived from market research data for comparison of potential player archetypes and cinematic compatibility.

5. STRUCTURAL PLOTPOINT PLACEMENT AND DEVELOPMENT
Creating and developing scene enchantment and enticement through charismatic or thematic emotional suspension of disbelief involvement.

6. PRINCIPAL PLAYER ANALYSIS
Evaluation of every pre-attached talent's archetype, essence/set and the scene component formulations for archetype compatibility and screen charisma.

7. SEXUAL CHEMISTRY ORCHESTRATION
Creating dynamic sexual chemistry and hot romantic energy through formulated cinematic archetypes and essence set design.

8. ARCHETYPAL CASTING COORDINATION
Organizing principal casting operations with concise character/role identification and complete archetypal coordination of potential candidates for casting.

9. PLAYER SELECTION VERIFICATION
Verification of each casting candidate’s archetype, essence/set and sexual chemistry before casting selection is finalized.

10. OVERVIEW OF DAILIES AND RUSHES
Evaluation of new film scenes for talent essence and archetypal compliance and direction.


AND IN POST-PRODUCTION__________________________________________________

11. MUSICAL SCORE ANALYSIS AND GUIDANCE
Review of musical background considerations for appropriate formulation and charismatic appeal.

12. ROUGH CUT REVIEW AND EDIT SUGGESTIONS
Evaluation of rough cut for scene and editing suggestions to eliminate any negative components and for evaluating spontaneous formulations.

13. TITLE REVIEW AND RECOMMENDATIONS
Examination of title designations for appropriate placement in component formulation design.

14. SOUNDTRACK ANALYSIS AND SUGGESTIONS
Review of musical foreground considerations for appropriate component formulations and appeal.

15. PRE-RELEASE TEST MARKET RESEARCH AND ANALYSIS
Compilation and evaluation of data extracted from target audience previews for critical response analysis, film component validation and mass marketing formulation developments.

16. TRAILER SCENE SELECTION FOR MASS MARKETING / ADVERTISING CONSIDERATION
Designation and Qualification of charismatic or archetypal scenes for film trailer improvements.

17.  CFI™ MASS-AUDIENCE PROFITABILITY REPORT (MAP)
Projecting the future audience attendance and profit potential of finished projects after previous component modifications are completed.

   
   
FOR A MORE DETAILED EXPLANATION OF THESE APPLICATIONS AND BENEFITS, GO TO
PAGE 5.1 SCREENPLAY CONSULTING OR SEE THE FLOW CHART AT PAGE 5.2


                           
CFI website map for 2011

1.1 FUTURE FILM Forecasts
2.1 Introduction to CFI
3.1 Unseen Components
4.1 Archetype vs. Stereo
5.1 Screenplay Consulting
6.1 Old Studio System
7.1 CFI CONTACT INFO
1.2 LAST WEEKEND Forecast
2.2 Twenty-One Questions
3.2 Simple Components
4.2 Modern Archetypes
5.2 Assist Flow Chart
6.2 Studio System Assists
7.2 Similar Companies
1.3 2011 Profit & Loss Chart
2.3 Beta-Testing Complete
3.3 Complex Components
4.3 Good/Bad Guys ID Keys
5.3 Production Benefits
6.3 Agent & Mgr. Benefits
7.3 Actor Archetype Lists
1.4 2010 Profit & Loss Chart
2.4 Products & Services
3.4 Resolution Components
4.4 Line by Line Paradigm
5.4 Database Tracking
6.4 Improvements 4 Talent
7.4 Bibliography for Study 
1.5 2009 Profit & Loss Chart
2.5 Application & Benefit
3.5 Horrific Components
4.5 Face Mapping Tools
5.5 Client Confidential
6.5 Attending to Imagery
7.5 URLs to Continue Study
1.6 2008 Profit & Loss Chart
2.6 Comparing Methodology
3.6 The Two Behaviors
4.6 The Classic Archetypes
5.6 Forecast Fallibility
6.6 The Best Attributes
7.6 ROIs for 1999 - 2000
1.7 2007 Profit & Loss Chart
2.7 Client Applications
3.7 Audience Psychology
4.7 Casting Examples
5.7 How the Others Fail
6.7 Talent Research
7.7 ROIs for 2001 - 2002
1.8 2006 Profit & Loss Chart
2.8 Four Screen Dynamics
3.8 Suspending Disbelief
4.8 Writers and Archetype
5.8 Weekend Mentality
6.8 Star Power Ratings
7.8 ROIs for 2003 - 2004
1.9 2005 Profit & Loss Chart
2.9 Playability Errors
3.9 Four Media Approach
4.9 Subtypes & Essences
5.9 Neuromarketing News
6.9 Star Client Results
7.9 ROIs for 2005 - 2006
1.10 2004 - 2002 P & L Chart
2.10 Quadrant Solutions
3.10 Reading Their Faces
4.10 Act As vs. Act Like
5.10 Neuromarket Article
6.10 Secret Sex Chemistry
7.10 ROIs for 2007 - 2008
1.11 2001 - 1999 P & L Chart
2.11 Forecasting Accuracy
3.11 Observing Audiences
4.11 Jung Archetypal Map
5.11 Film Neuromarketing
6.11 Archetype Inventory
7.11 ROIs for 2009 - 2010
1.12 CFI CONTACT INFO
2.12 Edge on Competition
3.12 Observing Emotions
4.12 The MBDI vs. MBTI
5.12 Older Methodologies
6.12 Sub-Type Inventory
7.12 Senior Analyst Bio