CFI - Cinematic Forecasting and Investment Assurance LLC ™

Investor Opportunities in Motion Picture Profits through Feature Film Box-Office Forecasts / Pre-Production Script Development / Cinematic Archetype Casting / Component Formulation Design / U.S. and Global Market Consulting & Mass Audience Forecasting

1.1 future film forecasts

1.2 last weekend forecast

1.3 - 2011 profits & loss

1.4 - 2010 profits & loss

1.5 - 2009 profits & loss

1.6 - 2008 profits & loss

1.7 - 2007 profits & loss

1.8 - 2006 profits & loss

1.9 - 2005 profits & loss

1.10 - 2004-2002 charts

1.11 - 2001-1999 charts

1.12 CFI CONTACT INFO

2.1 intro to CFI

2.2 twenty-one questions

2.3 beta-testing complete

2.4 products & services

2.5 application & benefit

2.6 comparing methodology

2.7 client applications

2.8 four screen dynamics

2.9 playability errors

2.10 quadrant solutions

2.11 forecasting accuracy

2.12 edge on competition

3.1 film components

3.2 simple components

3.3 complex components

3.4 resolution components

3.5 horrific components

3.6 the two behaviorisms

3.7 audience psychology

3.8 suspending disbeliefs

3.9 four media approach

3.10 reading their faces

3.11 observing audiences

3.12 observing emotions

4.1 archetype vs. stereo

4.2 modern archetypes

4.3 good/bad guys ID key

4.4 line by line paradigm

4.5 face mapping tools

4.6 the classic archetype

4.7 casting examples

4.8 writers and archetype

4.9 subtypes & essences

4.10 act as VS. act like

4.11 Jung archetypal map

4.12 the MBDI vs. MBTI

5.1 script consulting

5.2 assist flow chart

5.3 production benefits

5.4 database tracking

5.5 client confidential

5.6 forecast fallibility

5.7 how the others fail

5.8 weekend mentality

5.9 neuromarketing news

5.10 neuromarket article

5.11 film neuromarketing

5.12 older methodologies

6.1 old studio systems

6.2 studio system assists

6.3 agent & mgr. benefits

6.4 improvements 4 talent

6.5 attending to imagery

6.6 the best attributes

6.7 talent research

6.8 star power ratings

6.9 star client results

6.10 secret sex chemistry

6.11 archetype inventory

6.12 sub-type inventory

7.1 CFI contact info

7.2 similar companies

7.3 actor archetype lists

7.4 bibliography to study

7.5 urls continued study

7.6 ROIs for 1999 & 2000

7.7 ROIs for 2001 & 2002

7.8 ROIs for 2003 & 2004

7.9 ROIs for 2005 & 2006

7.10 ROIs for 2007 & 2008

7.11 ROIs for 2009 - 2010

7.12 ROIs for 2011 - 2012

page 3.4



One of the most important storyline component formulations,
is 'the way' a motion picture storyline ends or re-solves itself
.
 


As much as others have tried to finish a picture without one of the positive "re-solution formulations"
(and still
be profitable),
they have failed to profit and suffered miserable audience attendance.  Unless producers or directors 
incorporate the proper resolution
(or unless they specifically incorporate other positive components to compensate
for the reductions),
they will always fail their audience's box-office expectations in the future.  And while it may
seem obvious to most people ... it is amazing how many new scripts will make an effort to avoid using them.

Below is a table of the vitally important "resolution formulation" endings for the most profitable films.
  


Examples of the 'Redemption, Reclamation, Restoration or Reunion'
CFI Component Formulation Resolutions
of the Top Grossing Films
distributed in North America
(adjusted for ticket inflation) as of 9/21/03



 No.

  Title

  Adjusted Gross

  Re-Solutions

   Subject or Object

1

Gone With the Wind

$1,268,839,894

Reclamation

Tara Plantation

2

Star Wars

$1,118,591,056

Redemption

Han Greed/Luke Faith

3

The Sound of Music

$894,368,562

Reunion

The Kids and the Capt

4

E.T. the Extra-Terrestrial

$890,845,225

Restoration

E.T. Go Hoooome

5

The Ten Commandments

$822,680,000

Reclamation

Promised Land

6

Titanic

$811,387,059

Restoration

Rose’s Memory

7

Jaws

$804,334,978

Reclamation

Public Safety

8

Doctor Zhivago

$779,570,661

Reunion

Tonyas effect on Dr.

9

The Exorcist

$694,371,245

Restoration

Regan’s Body

10

Snow White & 7 Dwarfs

$684,520,000

Reunion

Snow, Dwarfs, Prince

11

101 Dalmatians

$627,480,336

Reclamation

DeVille to Jail

12

The Empire Strikes Back

$616,100,238

Reclamation

Luke’s Father

13

Ben-Hur

$615,440,000

Reunion

Leeper Ladies

14

Return of the Jedi

$590,693,096

Redemption

Father Saves Son

15

The Sting

$559,817,141

Restoration

Money is Safe

16

Raiders of the Lost Ark

$553,530,850

Reclamation

Ark Storage

17

Jurassic Park

$541,639,303

Reunion

Dinner Isn’t Served

18

The Graduate

$537,388,351

Restored

Young Love

19

The Phantom Menace

$532,920,178

Restoration

Queen Rules

20

Fantasia

$521,513,044

Restoration

Stick Rules

21

The Godfather

$495,633,713

Reclamation

Mob Rules

22

Forrest Gump

$495,330,489

Reunion

Forrest Rules

23

Mary Poppins

$490,981,819

Redemption

Father Repents

24

The Lion King

$486,057,806

Reclamation

Son Rules

25

Grease

$483,068,607

Reunion

Tough Love

26

Thunderball

$469,744,000

Restoration

World is Safe again

27

The Jungle Book

$462,709,857

Reunion

Mowgli & Civilization

28

Sleeping Beauty

$456,405,632

Restoration

Princess Awakes

29

Ghostbusters

$444,236,844

Redemption

NY Be Nicer Now

30

Butch Cassidy Sundance Kid

$443,103,326

Redemption

Shot for their Sins

31

Bambi

$442,168,562

Reunion

Thumper & Bambi

32

Independence Day

$439,986,939

Reclaimed

Aliens Lose

33

Love Story

$439,588,349

Reunion

Father & Son

34

Beverly Hills Cop

$438,778,513

Restoration

BH Safe Again

35

Spider-Man

$433,380,519

Restoration

City is Goblin Safe

36

Home Alone

$424,250,733

Reunion

Mom’s & Grampa

37

Pinocchio

$423,292,934

Reunion

Dad’s Home

38

Cleopatra

$421,912,144

Restoration

Rome is safe

39

Goldfinger

$416,364,000

Restoration

World is Safe

40

Airport

$415,178,861

Restoration

Flying is Safe

41

American Graffiti

$412,685,714

Redemption

Last Night Fights

42

The Robe

$411,054,546

Restoration

Church is Safe

43

Around the World in 80 Days

$405,784,615

Reunion

Crew is Safe

44

Blazing Saddles

$397,068,785

Reclamation

Town is Safe

45

Batman

$395,355,001

Redemption

Wayne’s Revenge

46

The Bells of St. Mary's

$394,039,216

Reunion

Boy is back

47

The Towering Inferno

$385,439,154

Reunion

Lovers are Safe

48

 Animal House

$380,020,513

Reclamation

Frat is Safe

49

The Greatest Show on Earth

$376,800,000

Restoration

Circus is Back

50

My Fair Lady

$376,800,000

Reunion

Lovers are safe


* All incomes adjusted for inflation to the average estimated 2003 ticket price of $6.28.


 
                          
CFI website map for 2011

1.1 FUTURE FILM Forecasts
2.1 Introduction to CFI
3.1 Unseen Components
4.1 Archetype vs. Stereo
5.1 Screenplay Consulting
6.1 Old Studio System
7.1 CFI CONTACT INFO
1.2 LAST WEEKEND Forecast
2.2 Twenty-One Questions
3.2 Simple Components
4.2 Modern Archetypes
5.2 Assist Flow Chart
6.2 Studio System Assists
7.2 Similar Companies
1.3 2011 Profit & Loss Chart
2.3 Beta-Testing Complete
3.3 Complex Components
4.3 Good/Bad Guys ID Keys
5.3 Production Benefits
6.3 Agent & Mgr. Benefits
7.3 Actor Archetype Lists
1.4 2010 Profit & Loss Chart
2.4 Products & Services
3.4 Resolution Components
4.4 Line by Line Paradigm
5.4 Database Tracking
6.4 Improvements 4 Talent
7.4 Bibliography for Study 
1.5 2009 Profit & Loss Chart
2.5 Application & Benefit
3.5 Horrific Components
4.5 Face Mapping Tools
5.5 Client Confidential
6.5 Attending to Imagery
7.5 URLs to Continue Study
1.6 2008 Profit & Loss Chart
2.6 Comparing Methodology
3.6 The Two Behaviors
4.6 The Classic Archetypes
5.6 Forecast Fallibility
6.6 The Best Attributes
7.6 ROIs for 1999 - 2000
1.7 2007 Profit & Loss Chart
2.7 Client Applications
3.7 Audience Psychology
4.7 Casting Examples
5.7 How the Others Fail
6.7 Talent Research
7.7 ROIs for 2001 - 2002
1.8 2006 Profit & Loss Chart
2.8 Four Screen Dynamics
3.8 Suspending Disbelief
4.8 Writers and Archetype
5.8 Weekend Mentality
6.8 Star Power Ratings
7.8 ROIs for 2003 - 2004
1.9 2005 Profit & Loss Chart
2.9 Playability Errors
3.9 Four Media Approach
4.9 Subtypes & Essences
5.9 Neuromarketing News
6.9 Star Client Results
7.9 ROIs for 2005 - 2006
1.10 2004 - 2002 P & L Chart
2.10 Quadrant Solutions
3.10 Reading Their Faces
4.10 Act As vs. Act Like
5.10 Neuromarket Article
6.10 Secret Sex Chemistry
7.10 ROIs for 2007 - 2008
1.11 2001 - 1999 P & L Chart
2.11 Forecasting Accuracy
3.11 Observing Audiences
4.11 Jung Archetypal Map
5.11 Film Neuromarketing
6.11 Archetype Inventory
7.11 ROIs for 2009 - 2010
1.12 CFI CONTACT INFO
2.12 Edge on Competition
3.12 Observing Emotions
4.12 The MBDI vs. MBTI
5.12 Older Methodologies
6.12 Sub-Type Inventory
7.12 Senior Analyst Bio